Parfum Sacre

I'm wearing Parfum Sacre by Caron today, and grooving on it. This is another of my developing taste developments--when I first dabbed P.S. on, attracted by its reputed incense note, all I got was a sort of sweet ambery vanilla. I didn't think much of it then.

I can smell the incense now, and the pepper. I love this stuff, it's lingering and clear without being intense. Sweet, but strong. It wafts nicely off my skin.

Yum.

In Which I Sail on a Sea of Molten Woods, and Don't Like It Much

Hmmmph. I loved Bois des Iles, and I loved Feminite du Bois, and I really liked Secret Obsession, and so I was developing an idea that I liked woods, in general. Subsequent to this, I decided to try more woods, and I developed a deep interest in trying 10 Corso Como. To round out the sandalwood experience, I also ordered up a sample of Bois de Santal, by Keiko Mecheri, whose Ume I appreciate.

I think it's cedar that I like, or maybe I just need different sandalwoods. Perhaps I should have remembered my unfortunate experience with Esteee Lauder's molten-wood experience, Sensuous, which left me with the unnerving experience of having my arm smell like furniture varnish.

10 Corso Como is a decided disappointment. I really liked the idea of liking it--it comes with lots of accessories, like lotion and bath oil and solid perfume, and it's all in neat little retro deco packaging--like, how cute is that bottle? But it doesn't smell smoky or incensey as advertised, it smells like raw wood, and develops an unpleasantly screechy sulphurous note when the geranium topnotes wear off. I just don't yike it. Now, I did have a problem with Feminite du Bois until I got used to it--this could just be a matter of educating my nose--but I don't think so. I think I just don't like this stuff very much.

Today I am wearing the Mecheri Bois de Santal slathered on, and I can hardly smell it. There's a faint sandalwood whiff--bland and sulphurous--and that's about it. The flowers and musk advertised hardly appeared.

Hmmm. Starting to think the sandalwood is a dead end.

Fracas

The deeper I delve into perfume blogs, the more names I start to see over and over again. Fracas is one of them, mostly connected to phrases like 'skankahol' and 'femme fatale'.

I didn't try Fracas for a bit, because I didn't initially expect to be interested in white florals, and the whole overtly sexy genre wasn't all that interesting at first. But then I saw the bottle at Sephora, and it was so lovely--all black, with that beautiful label--and a character in a Jennifer Weiner novel was wearing it--and I spritzed a little on a sample paper.

My first reaction was 'for God's sake don't let it get on my skin!' I'm not sure why. It didn't smell bad. It just smelled INTENSE. I sniffed at it briefly, and then went away for a while.

Then I did some more reading, and I decided I should find out what it smelled like on me. With this in mind, I went back to Sephora, spritzed both wrists, full strength, and then took BART home. I apologize profusely to the other commuters.

Fracas is a celebration of white florals run amok. It is not polite, although it is sweet. It is swooningly intense. And there is a peculiar sour-butter note, which I don't mind, especially since it seems to punch up the sexiness past the simple sugariness that some white florals seem to have. It's flower sex combined with people sex, if that makes any sense.

It's crazy stuff. I don't know if it's ME, but it's pretty cool.